Part I: The Fruitcake Lady
Last week's piece in The New Yorker, by the Agassi and Harry ghostwriter was salutatory, and a great insight for any would-be or actual writer.
I understand that ghost writing is much bigger business than people realize, and it's not only ghosting for nonfiction.
It's a legitimate job, I imagine it's just as challenging, likely more so, than any form of writing.
Yes, that was good story. Nice and gossipy and fully of info. Ghost writing is very different from "regular" writing, in ways that suit me. There must be a lot of us out there.
He was too discrete to drop the names of the two books that didn't go ahead, alas.
You have evidently had a far more successful career, and prolific!
How marvelous that you started with Capote's aunt, what an opportunity.
Last week's piece in The New Yorker, by the Agassi and Harry ghostwriter was salutatory, and a great insight for any would-be or actual writer.
I understand that ghost writing is much bigger business than people realize, and it's not only ghosting for nonfiction.
It's a legitimate job, I imagine it's just as challenging, likely more so, than any form of writing.
Yes, that was good story. Nice and gossipy and fully of info. Ghost writing is very different from "regular" writing, in ways that suit me. There must be a lot of us out there.
He was too discrete to drop the names of the two books that didn't go ahead, alas.
You have evidently had a far more successful career, and prolific!
How marvelous that you started with Capote's aunt, what an opportunity.